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Colleen Higgs

@ Sunday Times Books LIVE

The fabulous, the dark and the hilarious #flf2011

This is my fourth or fifth time of going to the FLF. I always go with my close friend and it becomes a weekend of relaxing, pleasure and work. Thankfully this year I did not have a launch organised, so was able to be much more chilled.

Over the past few years Jenny Hobbs has asked me to chair a session and I always say yes. Even when I am overwhelmed or know absolutely nothing about the topic, I say yes.

This year I chaired the session entitled Love Stories; panelists were Lindsay van Rensburg, editor from Kwela; Nani Mahlanga – Sapphire romance author and the inimitable Fiona Snyckers, who needs no introduction to BookSA readers. I was bemused to be asked to do this one as I am probably the least romantically inclined, the person least likely to have read a romance that I can imagine. But I stuck to my rule and said yes. I learnt the following: South African romance readers require a little more challenge than the straightforward Mills and Boon formulaic stories, otherwise they get bored. Sapphire promotes responsible sex, there will be a condom in the story at a strategic point. Romance is seen to be a gateway to other kinds of literacy, so could be a way of ‘growing more readers’. I was left with a number of questions, such as; is there a tradition of gay/lesbian romance fiction? I wonder why the ‘rape fantasy’ is becoming more prevalent in international romances? Where will this all lead? I was hugely encouraged by the way our writers and publishers this genre are approaching this opportunity. I look forward to hearing more as they see how sales go and how readers and new writers develop.

The fabulous
Seeing and greeting and chatting with friends and colleagues that one normally only has online contact with, meeting new people, eating divine meals in various Franschoek eateries with fascinating friendly folk, the weather, seeing Modjaji authors looking pleased with their Franschoek experience.

Lauren Beukes‘s sloth draped over her shoulders, she looks like a real celebrity!

Listening to Janice Galloway’s talk; I was fortunate to have read her memoir, This is not about me before the festival. Galloway was brilliant, vivacious, confident and I loved her Scottish accent. Her writing is dark, funny, devastating and brilliantly written.

In the Masculinities session, Melinda Ferguson carried off her “counterpoint” role with enormous charm and aplomb. What was puzzling was that the issue discussed by the panelists was race rather than masculinities. Maybe it was that the panelists were seated on a stage looking over a sea of middle-aged to elderly (mostly) white faces, and race is what came up for them?

the dark
My bag was snatched while I was at the BookSA celebration organised by Louis Greenberg and Sarah Lotz. During the main course, a waitress noticed a bag lying on the ground just outside of where we were sitting. My wallet was open and all my cash – which wasn’t much was taken. And then I noticed my cellphone was gone. A few minutes later the manager had security and the police on the case and my things were retrieved. I had to go to the police station to identify my belongings. It turned out that a gang of boys, between ten and fifteen years old were the culprits. My friend and I sat at the police station, we had to wait for the detective to arrive. Eventually we asked if we could go back to the restaurant and have our dessert and coffee and pay. This we did and then when we came back to the station the boys were in the front of the charge office sitting in row. They were apparently well known to the police. Feral boys. They had to wait for the parents to fetch them. By the time we left the station at about 12.30 only one mother had arrived. We heard that there were two armed robberies in the squatter settlement. A group of Somalians arrived at the station to lay the charge regarding the first armed robbery.

I decided to lay a charge against the boys, as this would mean that some of them might go before a magistrate and be put into a diversion programme for youth at risk. I will have to go through to Franschoek at some point and spend a day in court waiting for this case to come before the magistrate.

I saw the boys again on the streets on Saturday and Sunday, drifting up and down the main drag.

Sigh.

the hilarious

Justin Cartwright’s anecdote “Iris Murdoch’s method of writing was to lie on her back for three months on the floor and then get up and write the novel in a week.”

Zakes Mda saying something like this:
“I had never read a memoir or autobiography, so I thought I better read one or two. I started with Gunther Grass, after about ten pages or so, I thought nahhh, I am a storyteller, I have written all these novels, I can do this.” He then proceeded to write it in three months and refused editing suggestions, he wanted it to be shaggy (I think that is what he said).

Khaya Dlanga’s wonderful story, that I hope he will write one day, told us with how To Kill a Mockingbird hampered his love life.

Michiel Heyns’s dry humour as he spoke about reviews in that session, see below:

[48]: Critical Factors (Hospice Hall)
Is author hagiography taking the place of informed literary comment? Regular book reviewers Imraan Coovadia, Michiel Heyns and Tymon Smith discuss the rise and rise of the personal versus the critical with Cape TimesBooks Editor Karin Schimke.

The toilet saga and looming elections as a backdrop to the FLF. The toilet humour in the Sunday papers, particularly Ben Trovato’s Whipping Boy.

 

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